संभव है कि मेरी किसी बात से आपको झटका लगे. आपकी आलोचनाओं का मैं स्वागत करूंगा, लेकिन वह स्वस्थ होनी चाहिए. यदि आप मेरे लेखन में कोई तथ्यात्मक भूल बताने कि कृपा करेंगे, तो मैं उसे तत्काल सुधार लूँगा. लेकिन अपने विचारों और निष्कर्षों को बदलने के लिए तब तक तैयार नहीं हूँ, जब तक वैसा करने का कोई पर्याप्त कारण न हो.
Monday, November 30, 2015
Saitanic verses III. Ellowen Deeowen Part 2
Just then a voice from one of the other beds -- each bed, as Chamcha
now knew, was protected by its own ring of screens -- wailed loudly:
"Oh, if ever a body suffered!" and the man-tiger, or manticore, as it
called itself, gave an exasperated growl. "That Moaner Lisa," it
exclaimed. "All they did to him was make him blind."
"Who did what?" Chamcha was confused.
"The point is," the manticore continued, "are you going to put up with
it?"
Saladin was still puzzled. The other seemed to be suggesting that these
mutations were the responsibility of-- of whom? How could they be? --
"I don't see," he ventured, "who can be blamed . . ."
The manticore ground its three rows of teeth in evident frustration.
"There's a woman over that way," it said, "who is now mostly water-
buffalo. There are businessmen from Nigeria who have grown sturdy
tails. There is a group of holidaymakers from Senegal who were doing
no more than changing planes when they were turned into slippery
snakes. I myself am in the rag trade; for some years now I have been a
highly paid male model, based in Bombay, wearing a wide range of
suitings and shirtings also. But who will employ me now?" he burst
into sudden and unexpected tears. "There, there," said Saladin
Chamcha, automatically. "Everything will be all right, I'm sure of it.
Have courage."
The creature composed itself. "The point is," it said fiercely, "some of
us aren't going to stand for it. We're going to bust out of here before
they turn us into anything worse. Every night I feel a different piece of
me beginning to change. I've started, for example, to break wind
continually ... I beg your pardon you see what I mean? By the way, try
these," he slipped Chamcha a packet of extra-strength peppermints.
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"They'll help your breath. I've bribed one of the guards to bring in a
supply."
"But how do they do it?" Chamcha wanted to know.
"They describe us," the other whispered solemnly. "That's all. They
have the power of description, and we succumb to the pictures they
construct."
"It's hard to believe," Chamcha argued. "I've lived here for many years
and it never happened before ..." His words dried up because he saw the
manticore looking at him through narrow, distrustful eyes. "Many
years?" it asked. "How could that be? -- Maybe you're an informer? --
Yes, that's it, a spy?"
Just then a wail came from a far corner of the ward. "Lemme go," a
woman's voice howled. "OJesus I want to go. Jesus Mary I gotta go,
lemme go, O God, O Jesus God." A very lecherouslooking wolf put its
head through Saladin's screens and spoke urgently to the manticore.
"The guards'll be here soon," it hissed. "It's her again, Glass Bertha."
"Glass . . .?" Saladin began. "Her skin turned to glass," the manticore
explained impatiently, not knowing that he was bringing Chamcha's
worst dream to life. "And the bastards smashed it up for her. Now she
can't even walk to the toilet."
A new voice hissed out across the greeny night. "For God's sake,
woman. Go in the fucking bedpan."
The wolf was pulling the manticore away. "Is he with us or not?" it
wanted to know. The manticore shrugged. "He can't make up his
mind," it answered. "Can't believe his own eyes, that's his trouble."
They fled, hearing the approaching crunch of the guards' heavy boots.
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The next day there was no sign of a doctor, or of Pamela, and Chamcha
in his utter bewilderment woke and slept as if the two conditions no
longer required to be thought of as opposites, but as states that flowed
into and out of one another to create a kind of unending delirium of
the senses.. . he found himself dreaming of the Queen, of making tender
love to the Monarch. She was the body of Britain, the avatar of the
State, and he had chosen her, joined with her; she was his Beloved, the
moon of his delight.
Hyacinth came at the appointed times to ride and pummel him, and he
submitted without any fuss. But when she finished she whispered into
his ear: "You in with the rest?" and he understood that she was involved
in the great conspiracy, too. "If you are," he heard himself saying, "then
you can count me in." She nodded, looking pleased. Chamcha felt a
warmth filling him up, and he began to wonder about taking hold of
one of the physiotherapist's exceedingly dainty, albeit powerful, little
fists; but just then a shout came from the direction of the blind man:
"My stick, I've lost my stick."
"Poor old bugger," said Hyacinth, and hopping off Chamcha she darted
across to the sightless fellow, picked up the fallen stick, restored it to
its owner, and came back to Saladin. "Now," she said. "I'll see you this
pm; okay, no problems?"
He wanted her to stay, but she acted brisk. "I'm a busy woman, Mr.
Chamcha. Things to do, people to see."
When she had gone he lay back and smiled for the first time in a long
while. It did not occur to him that his metamorphosis must be
continuing, because he was actually entertaining romantic notions
about a black woman; and before he had time to think such complex
thoughts, the blind man next door began, once again, to speak.
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"I have noticed you," Chamcha heard him say, "I have noticed you, and
come to appreciate your kindness and understanding." Saladin realized
that he was making a formal speech of thanks to the empty space where
he clearly believed the physiotherapist was still standing. "I am not a
man who forgets a kindness. One day, perhaps, I may be able to repay it,
but for the moment, please know that it is remembered, and fondly,
too. . ." Chamcha did not have the courage to call out, _she isn't there,
old man, she left some time back_. He listened unhappily until at
length the blind man asked the thin air a question: "I hope, perhaps,
you may also remember me? A little? On occasion?" Then came a
silence; a dry laugh; the sound of a man sitting down, heavily, all of a
sudden. And finally, after an unbearable pause, bathos: "Oh," the
soliloquist bellowed, "oh, if ever a body suffered. . . !"
We strive for the heights but our natures betray us, Chamcha thought;
clowns in search of crowns. The bitterness overcame him. _Once I was
lighter, happier, warm. Now the black water is in my veins_.
Still no Pamela. _What the hell_. That night, he told the manticore and
the wolf that he was with them, all the way.
The great escape took place some nights later, when Saladin's lungs had
been all but emptied of slime by the ministrations of Miss Hyacinth
Phillips. It turned out to be a well-organized affair on a pretty large
scale, involving not only the inmates of the sanatorium but also the
detenus, as the manticore called them, held behind wire fences in the
Detention Centre nearby. Not being one of the grand strategists of the
escape, Chamcha simply waited by his bed as instructed until Hyacinth
brought him word, and then they ran out of that ward of nightmares
into the clarity of a cold, moonlit sky, past several bound, gagged men:
their former guards. There were many shadowy figures running through
the glowing night, and Chamcha glimpsed beings he could never have
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imagined, men and women who were also partially plants, or giant
insects, or even, on occasion, built partly of brick or stone; there were
men with rhinoceros horns instead of noses and women with necks as
long as any giraffe. The monsters ran quickly, silently, to the edge of
the Detention Centre compound, where the manticore and other sharp-
toothed mutants were waiting by the large holes they had bitten into
the fabric of the containing fence, and then they were out, free, going
their separate ways, without hope, but also without shame. Saladin
Chamcha and Hyacinth Phillips ran side by side, his goat-hoofs clip-
clopping on the hard pavements: _east_ she told him, as he heard his
own footsteps replace the tinnitus in his ears, east east east they ran,
taking the low roads to London town.
4
Jumpy Joshi had become Pamela Chamcha's lover by what she
afterwards called "sheer chance" on the night she learned of her
husband's death in the _Bostan_ explosion, so that the sound of his old
college friend Saladin's voice speaking from beyond the grave in the
middle of the night, uttering the five gnomic words _sorry, excuse
please, wrong number_, -- speaking, moreover, less than two hours after
Jumpy and Pamela had made, with the assistance of two bottles of
whisky, the two-- backed beast, -- put him in a tight spot. "Who was
_that?_" Pamela, still mostly asleep, with a blackout mask over her eyes,
rolled over to inquire, and he decided to reply, "Just a breather, don't
worry about it," which was all very well, except then he had to do the
worrying all by himself, sitting up in bed, naked, and sucking, for
comfort, as he had all his life, the thumb on his right hand.
He was a small person with wire coathanger shoulders and an enormous
capacity for nervous agitation, evidenced by his pale, sunken--eyed face;
his thinning hair -- still entirely black and curly -- which had been
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ruffled so often by his frenzied hands that it no longer took the
slightest notice of brushes or combs, but stuck out every which way and
gave its owner the perpetual air of having just woken up, late, and in a
hurry; and his endearingly high, shy and self-deprecating, but also
hiccoughy and over--excited, giggle; all of which had helped turn his
name, Jamshed, into this Jumpy that everybody, even first-time
acquaintances, now automatically used; everybody, that is, except
Pamela Chamcha. Saladin's wife, he thought, sucking away feverishly. --
Or widow? -- Or, God help me, wife, after all. He found himself
resenting Chamcha. A return from a watery grave: so operatic an event,
in this day and age, seemed almost indecent, an act of bad faith.
He had rushed over to Pamela's place the moment he heard the news,
and found her dry-eyed and composed. She led him into her clutter-
lover's study on whose walls watercolours of rose-gardens hung between
clenched--fist posters reading _Partido Socialista_, photographs of
friends and a cluster of African masks, and as he picked his way across
the floor between ashtrays and the _Voice_ newspaper and feminist
science--fiction novels she said, flatly, "The surprising thing is that
when they told me I thought, well, shrug, his death will actually make a
pretty small hole in my life." Jumpy, who was close to tears, and
bursting with memories, stopped in his tracks and flapped his arms,
looking, in his great shapeless black coat, and with his pallid, terror-
stricken face, like a vampire caught in the unexpected and hideous light
of day. Then he saw the empty whisky bottles. Pamela had started
drinking, she said, some hours back, and since then she had been going
at it steadily, rhythmically, with the dedication of a long-distance
runner. He sat down beside her on her low, squashy sofa-bed, and
offered to act as a pacemaker. "Whatever you want," she said, and
passed him the bottle.
Now, sitting up in bed with a thumb instead of a bottle, his secret and
his hangover banging equally painfully inside his head (he had never
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been a drinking or a secretive man), Jumpy felt tears coming on once
again, and decided to get up and walk himself around. Where he went
was upstairs, to what Saladin had insisted on calling his "den", a large
loft--space with skylights and windows looking down on an expanse of
communal gardens dotted with comfortable trees, oak, larch, even the
last of the elms, a survivor of the plague years. _First the elms, now us_,
Jumpy reflected. _Maybe the trees were a warning_. He shook himself to
banish such small-hour morbidities, and perched on the edge of his
friend's mahogany desk. Once at a college party he had perched, just so,
on a table soggy with spilled wine and beer next to an emaciated girl in
black lace minidress, purple feather boa and eyelids like silver helmets,
unable to pluck up the courage to say hello. Finally he did turn to her
and stutter out some banality or other; she gave him a look of absolute
contempt and said without moving her black--lacquer lips,
conversation's dead, man_. He had been pretty upset, so upset that he
blurted out, _tell me, why are all the girls in this town so rude?_, and
she answered, without pausing to think, _because most of the boys are
like you_. A few moments later Chamcha came up, reeking of patchouli,
wearing a white kurta, everybody's goddamn cartoon of the mysteries of
the East, and the girl left with him five minutes later. The bastard,
Jumpy Joshi thought as the old bitterness surged back, he had no
shame, he was ready to be anything they wanted to buy, that read-your-
palm bedspread-jacket HareKrishna dharma-bum, you wouldn't have
caught me dead. That stopped him, that word right there. Dead. Face it,
Jamshed, the girls never went for you, that's the truth, and the rest is
envy. Well, maybe so, he half-conceded, and then again. Maybe dead, he
added, and then again, maybe not.
Chamcha's room struck the sleepless intruder as contrived, and
therefore sad: the caricature of an actor's room full of signed
photographs of colleagues, handbills, framed programmes, production
stills, citations, awards, volumes of movie--star memoirs, a room
bought off the peg, by the yard, an imitation of life, a mask's mask.
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